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Slim Continuum Review, multivariable patch cables explored... (+download)

Hi!

The Continuum is one of my favorites synths - it's a true instrument with an amazing control surface, powerful synth engine, and brilliantly crafted presets.

The new Slim Continuum addresses many of the flaws of the original Continuum - controlling any of the parameters or swapping presets without an external MIDI controller or computer was a pain; you couldn't create splits or layer presets; IO was limited and more.

I reviewed the original Continuum three years ago, but a few synth engines and presets were added, and the interface was re-arranged, so I took this opportunity to go through the whole thing again and dive a little bit deeper into the EaganMatrix, the most complex and yet most powerful mod matrix/patching environment I've ever seen that's not a full on max/modular system.

The EaganMatrix pulls off its wonders by using multivariable equations instead of simple mod matrix connections - it has a learning curve but once you "get it", it's an ingenious way to create complex and responsive patches quickly.

More details in the video, and attached is the intro/outro jam, which is a version of the track I shared earlier this month, only with the Bolsa Bass replaced with a left-hand split and OXI replaced with a few stored KeyStep patterns...

Have a great rest of week!

Ziv (solving multivariable patch equations on youtube as "Loopop"...)


Slim Continuum Review, multivariable patch cables explored... (+download)

Comments

My pleasure and thanks for the comment!

I'm not sure about this new Slim Continuum, but the original Continuum (I have the half-size) is/was build by hand by Lippold Haken one at the time. On top of that the very sensive sensors under each 'key' are not of-the-shelf either.

Wow. Just incredible. What an instrument. You can see there's two folks at work here, the software engineer who built the Egan-Matrix, and the musician who designed the playing experience itself. What a titanic feat of focus, engineering, and musical understanding. And yeah, never sell yours. It’s an artifact of our time, and embodies the peak of development. As a bass player I surely hope the 'feel' of an actual analog instrument gets translated into synthesizers, like they did here. That is something that is still a bit lacking I feel. An Eigenharp is not really cutting it, but this thing surely is. Thanks again fro an excellent video!

Mark Lindhout

6000-8000 euros... do you have an idea what leads to these prices excluding R&D? And what would be your suggestion for expressive control surfaces for lower budgets? Enjoy the continuum, it looks super fun to play! :)


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